Home / Tag: Lee Ernst
12.10.2011 | | Posted at 10:44 AM

The Rep’s continued A CHRISTMAS CAROL continues to pay lasting tribute to Joseph Hanreddy’s time as Artistic Director

By Russ Bickerstaff
nnI narrowly managed to avoid NOT going to A Christmas Carol this year. The Milwaukee Rep’s long-running stage adaptation of the Charles Dickens classic continues another strong season with a strong cast and the Marjorie Bradley Kellogg/Martha Hally design work that has served it so well for so many years.nIn an era where things are changing for the Rep thanks to a new Artistic Director, The Mil...
10.24.2011 | | Posted at 12:45 PM

Another look at The Milwaukee Rep’s LOMBARDI

By Russ Bickerstaff
The Packers had just finished a game that put them at 7-0 on the season—a game that secured them on the top of the league for at least a couple more weeks. It was a Sunday night—last night and the Quadracci Powerhouse Theatre was filled with Packers apparel. It didn’t look like a typical Rep theatre audience, but Lombardi isn’t a typical Milwaukee Rep show.    If they’re looking to e...
01.31.2011 | | Posted at 10:00 PM

Rep resident actors in an edgy non-linear drama.

By Russ Bickerstaff
The Appeal of Getting LOST In Complexity Even the most concise synopsis for the Rep’s latest drama is going to sound unappealingly bewildering. The Rep’s studio theatre production of the very character-driven story is told on a nearly bare stage with only a few pieces of furniture, simple lighting schemes and relatively plain costuming. This isn’t a show that dazzles with shiny glossiness....
09.19.2010 | | Posted at 11:40 AM

Four Places: Next Act's Dazzlingly Small Canvas Drama

By Russ Bickerstaff
This weekend has been a study in contrast for me. Friday night, I saw the Rep’s reasonably massive production of Cabaret. Last night I saw a very minimalist, realistic, straight-ahead drama with Next Act. And I ended up preferring the Next Act show. There’s a kind of purity in seemingly simple drama that holds a kind of stage reality that’s far more electrifying than any visual or musical ...
05.15.2010 | | Posted at 11:59 AM

The Milwaukee Rep’s Summer Masters Classes

By Russ Bickerstaff
This past Thursday, The Milwaukee Rep sent out a press release about its upcoming summer masters classes. The 2010 Summer Theatre Conservatory runs July 12th – 24th. The intensive two-week course ends up running like a regular full-time job with classes running from 9:30 am to 5pm Monday Through Friday for two straight weeks. Open only to drama teachers, high school and college students, the c...
03.25.2009 | | Posted at 12:00 AM
By David Luhrssen
One thing lifting Tracks above the level of many self-produced indie movies is the acting. Milwaukee director-writer Josh Rosenberg and his crew, including cinematographer Scott Foley, recruited their cast well and guided them ably. Several names in the credits will be familiar to local theatergoers, including Lee Ernst and James Tasse. But even the newcomers and unknowns rose to the occasion....
11.01.2008 | | Posted at 12:00 AM
By Russ Bickerstaff
Earlier this week, the Milwaukee Rep announced that Rep resident acting company member had been selected as an inaugural Lunt-Fontanne Fellow by the Ten Chimneys Foundation. (The Ten Chimneys is, of course, the venerable estate built by Broadway legends Alfred Lunt and Lynn Fontanne in the tiny, little Wisconsin town of Genesee Depot. An English major friend of mine from UWM circa ’99-2000 also...
Monday, March 24, 2008
Actor Lee Ernst, a consummate performing artist and resident at the Milwaukee Repertory Theater, views his profession as a complex set of skills. His personal repertoire includes the added dimensions of fight choreographer and makeup artist. Ernst’s current season at The Rep began with the demanding role of Cyrano, where he also crafted the famous nose and directed the swashbuckling sword scenes. It continues with his part in Samuel Beckett’s classic Endgame. Ernst, a 15-year veteran with The Rep, speaks about the art of being an actor.

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