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Tuesday, June 18, 2013
 No one was more surprised than Violent Femmes’ drummer Victor DeLorenzo when the play button was pressed and the band’s six-year pause ended. “Gordon [Gano] called me last October, on John Lennon’s birthday
01.29.2013 | | Posted at 11:00 AM

Juniper Tar, Jon Langford, Robbie Fulks and Blueprint reflect on Stephen Foster

By Evan Rytlewski
Stephen Foster penned some of the best-known songs of all time, including standards like “Oh! Susanna,” “Camptown Races” and “Beautiful Dreamer,” but that success didn’t translate to particular fortune. Foster died alone in 1864 in near poverty at age 37, having estranged himself from his family through his alcoholism. Nonetheless, his songbook outlived him. It was passed down from g...
Wednesday, Dec. 5, 2012
  One of this year’s most effective music videos is also one of the most flagrantly ridiculous. In the grandiose black and white footage accompanying The Joy Formidable’s “Wolf’s Law,” the full cycle of life
Monday, July 9, 2012
Vietnam combat veteran Bob Curry founded Dryhootch of America in 2008 as an accessible, collaborative network of people and nonprofit organizations to provide support and services for veterans and their families...
Wednesday, Oct. 7, 2009
It’s not a particularly extraordinary story, but it’s been repeated so many times it has taken on the air of a myth: a heartbroken Justin Vernon retreated for the winter to his father’s northern Wisconsin cabin to lick his wounds, emerging from his three-month exile with a self-recorded album. The same way Blood on the Tracks owes nearly...
Tuesday, Jan. 19, 2010
For five years, Sharon Van Etten wrote music in secret, stockpiling songs she hoped to perform under better circumstances. “I started playing open mics when I went to college, but then I took a break,” Van Etten explains. “My boyfriend at the time wasn’t very supportive of my music and didn’t think I was good enough to perform, so I had to hide it from him...
Wednesday, March 3, 2010
“I have an idea for a paradoxical theme album called Untitled, on which all the songs are called ‘Untitled,’” Stephin Merritt tells me. I have no idea whether he is kidding, but that’s nothing new. I never have any idea whether Merritt is kidding. In conversation and in song, Merritt has a droll, poker face of a voice, dry enough to suggest sarcasm but too stern to know for sure...

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