Home / Tag: Tyler Friedman
12.16.2013 | | Posted at 02:59 PM
By Tyler Friedman
Tyler Friedman: “Ten Portraits of Jews of the Twentieth Century” by Andy Warhol is not the gathering of assorted portraits; rather, it was conceived of as a sort of suite. It was commissioned as a body of works. I thought we should begin with a bit of background about the canvases.  Molly Dubin: It’s really rather interesting doing research about the exhibit and all the writings that h...
Monday, Dec. 9, 2013

Exhibit opens at Jewish Museum

 Pop Art ennobled pop culture. This is its enduring legacy. No one could turn Campbell’s Soup Cans into icons of modern art like Andy Warhol. Much of Warhol’s work plays with the theme of the mass media’s mass production
Tuesday, Dec. 3, 2013

Celebratory paintings of Ecuador’s Antuco Chicaiza

 ¡Que Vida! Or, for those who don’t speak Spanish: “What a life!” Indeed, the vivid paintings of Ecuadorian artist Antuco Chicaiza give the impression of being both autobiographical and celebratory. La Familia, Mi Ecuador and Our Land all tell subtle stories by incorporating text
Wednesday, Nov. 27, 2013

New show at Tory Folliard Gallery

 Mondrian on a bad acid trip? Kandinsky fed on comic books? Pollock flinging shapes upon the canvas instead of paint drops? Jason Rohlf’s paintings evoke multiple reference points in 20th-century art and yet resist reduction to any one. A new exhibition for the Milwaukee native and Brooklyn expat, “Navigational
11.22.2013 | | Posted at 03:29 PM
By Tyler Friedman
It is trivially true that a painter is a painter by virtue of painting paintings. The same holds for a craftsperson in any domain. Perhaps Aristotle was the first to notice this: “we become builders, for instance, by building, and we become harpists by playing the harp.” (Nicomachean Ethics 1103a2-3).But it is an impoverished account that reduces the work of art to being a mere physical object...
11.22.2013 | | Posted at 03:04 PM

Part Two

By Tyler Friedman
Tyler Friedman: You’ve referred to yourself a number of times as a member of Fluxus. Many artists reject these labels, classifications, and –isms, feeling that they’re unnecessarily restrictive or just marketing tools. Of course the word ’Fluxus’ comes from the Latin ‘to flow,’ from where we get the phrase ‘to be in flux.’ This leads me to wonder whether Fluxus is an anti-label l...
Wednesday, Nov. 20, 2013

Four Galleries, One Day

 Even more than its impressive array of art, UW-Milwaukee Gallery Day exhibits the vitality of Milwaukee’s visual art community. On Thursday, Nov. 21, the free event will utilize all four of UWM’s art spaces—INOVA, Arts Center Gallery, UWM Student Union Art Gallery and UWM Art History Gallery—to
11.15.2013 | | Posted at 06:02 PM

Part One: Early History of Fluxus, John Cage, Humor in Art

By Tyler Friedman
            Conventionally, the interviewer is supposed to be as absent from the process and product as possible. The event is regarded as a sort of verbal homerun derby. The interviewer’s task is to lob a poem of a pitch over the heart of the plate for the interviewee to cream. Then, the miraculous crack of the bat and triumphant arc of the...
Tuesday, Nov. 12, 2013

Milwaukee master on display at Charles Allis

 By the 1930s, the slow erosion of racial barriers had reached such a degree in America’s larger cities that a new cultural type emerged. This individual, classified as a “hipster” by Norman Mailer in his essay “The White Negro,” rejected the staid safety of white society for the untapped possibilities he or she saw in African
Wednesday, Nov. 6, 2013

Performance artist Alison Knowles marks Woodland Pattern’s birthday

Fluxus won’t sit still and behave itself. Consequently, it is difficult to define what exactly Fluxus was, is, and will be. But, true to the term, it’s an art movement that keeps moving. The like-minded international community of subversive creators was named in the 1960s and embraces such

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