Home / Tag: Tyler Friedman
Sunday, Jan. 5, 2014
 Teachers deserve more recognition. Financial recognition, to be sure, but more than that. Peering through horn-rimmed glasses, clad in tweed, covered in chalk dust, they teach us everything from the kindergarten lesson of how to share to, years later, how to understand Kant’s categorical imperative as a philosophical
12.18.2013 | | Posted at 04:43 PM
By Tyler Friedman
First things first: I love jazz. We’re talking an if-you-love-jazz-so-much-why-don’t-you-marry-it kind of love. Don’t think I haven’t tried… At any rate, my charge with the Shepherd Express concerns the visual arts, and despite the theatrical brashness of a jazz musician such as Sun Ra, jazz remains undeniably an auditory art. Perhaps my position is for the best. Otherwise I woul...
Wednesday, Dec. 18, 2013

‘Express Talk’ at Milwaukee Art Museum

 The Milwaukee Art Museum’s exhibition on American painter Thomas Sully is drawing its last breath on Jan. 5. Not sold? Perhaps the Thursday, Dec. 19, 30-minute, “Express Talk,” on some subjects of Sully’s celebrated portraits
12.16.2013 | | Posted at 02:59 PM
By Tyler Friedman
Tyler Friedman: “Ten Portraits of Jews of the Twentieth Century” by Andy Warhol is not the gathering of assorted portraits; rather, it was conceived of as a sort of suite. It was commissioned as a body of works. I thought we should begin with a bit of background about the canvases.  Molly Dubin: It’s really rather interesting doing research about the exhibit and all the writings that h...
Monday, Dec. 9, 2013

Exhibit opens at Jewish Museum

 Pop Art ennobled pop culture. This is its enduring legacy. No one could turn Campbell’s Soup Cans into icons of modern art like Andy Warhol. Much of Warhol’s work plays with the theme of the mass media’s mass production
Tuesday, Dec. 3, 2013

Celebratory paintings of Ecuador’s Antuco Chicaiza

 ¡Que Vida! Or, for those who don’t speak Spanish: “What a life!” Indeed, the vivid paintings of Ecuadorian artist Antuco Chicaiza give the impression of being both autobiographical and celebratory. La Familia, Mi Ecuador and Our Land all tell subtle stories by incorporating text
Wednesday, Nov. 27, 2013

New show at Tory Folliard Gallery

 Mondrian on a bad acid trip? Kandinsky fed on comic books? Pollock flinging shapes upon the canvas instead of paint drops? Jason Rohlf’s paintings evoke multiple reference points in 20th-century art and yet resist reduction to any one. A new exhibition for the Milwaukee native and Brooklyn expat, “Navigational
11.22.2013 | | Posted at 03:29 PM
By Tyler Friedman
It is trivially true that a painter is a painter by virtue of painting paintings. The same holds for a craftsperson in any domain. Perhaps Aristotle was the first to notice this: “we become builders, for instance, by building, and we become harpists by playing the harp.” (Nicomachean Ethics 1103a2-3).But it is an impoverished account that reduces the work of art to being a mere physical object...
11.22.2013 | | Posted at 03:04 PM

Part Two

By Tyler Friedman
Tyler Friedman: You’ve referred to yourself a number of times as a member of Fluxus. Many artists reject these labels, classifications, and –isms, feeling that they’re unnecessarily restrictive or just marketing tools. Of course the word ’Fluxus’ comes from the Latin ‘to flow,’ from where we get the phrase ‘to be in flux.’ This leads me to wonder whether Fluxus is an anti-label l...

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