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Wednesday, Oct. 17, 2012
 It’s hard to listen to the hushed, minimal pop of The xx’s debut album without feeling like you’re eavesdropping. When guitarist Romy Madley Croft and bassist Oliver Sim trade verses with each other...
Wednesday, Oct. 17, 2012
I have always admired the continuing exploration of literature that is a fundamental aspect of the Prometheus Trio. Over the years I have heard quite a bit of music on their concerts never before encountered. Such was the case with Frank Bridge’s Trio...
Wednesday, Oct. 10, 2012
 “Winter is on its way,” Joe Crockett cautions on The Championship’s new album, in a rested baritone that makes him sound like he himself has just woken from a deep hibernation. In some ways, he has. High Feather...
Wednesday, Oct. 10, 2012
 2009 proved to be a big year for psychedelic chamber-pop darlings Dr. Dog. That summer, the band stepped out of their comfort zone and into the relative big leagues, leaving their hometown label Park the Van Records...
Tuesday, Oct. 9, 2012

Oct. 8, 2012

 Jacquelyn Beaupre' and Donivan Berube of West Bend’s Americana-steeped folk duo Blessed Feathers came to the Stonefly Brewery Monday night to introduce their latest EP, Peaceful Beasts in an Ocean of Weeds, though...
Tuesday, Oct. 9, 2012

Senna (MoonJune Records)

 When a band calls itself Mahogany Frog, you expect an element of eclectic playfulness to its music. And these Canadians deliver, with a challenging yet fun genre-bending instrumental tour de force. Drawing inspiration...
Thursday, Oct. 4, 2012
 On the debut of Milwaukeean Paul Schwarzkopf's one-man band, Manual Controller, vintage electronic instruments fashion a retro-futuristic sound. Within Schwarzkopf’s peppy dystopia, he conjures a keyboard-driven...
Thursday, Oct. 4, 2012
 Originally formed as a backing band for the Easy Star label's reggae artists, the All-Stars are best known for Dub Side of the Moon, a reggae version of Pink Floyd's Dark Side of the Moon, which has been on the reggae...
Thursday, Oct. 4, 2012

American Made

At moments, the debut by Milwaukee’s The BigWheel Band superficially evokes such terrors as Blue Cheer, Primus and Cream. And if they filter their influences through the lesser, post-grunge lens of Pop Evil or Creed...

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