Home / Tag: electronic
Tuesday, July 29, 2008

After four years, Red Light says goodnight

One of Milwaukee’s most esteemed dance venues is dimming its lights for the final time Aug. 4. Mike Eitel, co-owner of Diablos Rojos Restaurant Group and the company behind Red Light (1758 N. Water St.), announced last week that the lofted lounge will hold its last regular show next weekend. A growing demand for banquets, private parties and special events at the Trocadero restaurant downstairs has forced the company to close Red Light, he says. The company indicated that the closure of the lounge was “temporary.” Eitel and business partner Eric Wagner are reportedly
Monday, July 21, 2008

The Dream (Six Degrees)

The subgenres of acid house and ambient electronica have produced sonic wallpaper by the yard, but few artists as creative or compelling as The Orb. The duo of Alex Paterson and Youth, two Englishmen on the ground floor of late-’70s punk, meld found voices and electronic melodies into a symphony of sampling and gentle . . .
Tuesday, July 15, 2008

Plus: Honey Dijon sweetens the deal

Techno keeps twisting its way toward the top of Milwaukee’s underground dance music scene. This week, it’s Detroit/Berlin’s Lee Curtiss who bridges the gap between house and techno with dark and minimal tenacity. The Spectral Sound artist says he took cues from Chicago’s Derrick Carter and melded them with the reverb of producers such as Ricardo Villalobos, Zip (aka Dimbiman), Matthew Dear, Peter Ford and Richie Hawtin. In 2007, Curtiss headlined Spectral Sound’s sixth “Death Is Nothing to Fear” tour across North America, garnering critical success from the underground dance music masses. Dark, deep and uncompromising in his mix, the DJ/producer has performed live sets with the likes of Samim and Alex Smoke for the Kontrol crew in San Francisco, as well as a play date for Bill Patrick’s acclaimed Robots bash in New York City. An alumnus . . .
Friday, July 4, 2008

Wednesday, July 2, 2008

Stateside, raves seem harder and harder to come by these days. Still, the rain-slicked aluminum bleachers of Summerfest seemed an oddly perilous dance venue for the return performance of the low-profile big beat pioneers, The Crystal Method. Taking the helm from DJ Dieselboy in mid-beat, Scott Kirkland and Ken Jordan arrived with a blas casualness that seemed to pervade the whole evening, underscoring the intensely omnipresent volume. Kirkland, as the Pesci to Jordan’s De Niro, played the group’s flamboyantly mischievous half, tagging out of duty frequently to stalk the stage and giving himself devil horns while the more stoic Jordan manned the decks.
Wednesday, June 18, 2008

Plus: Jamie Thinnes, Kate Simko summer warm-up

The perpetual flux of underground dance music has caused the party to continually change. The scene finds a way to reinvent itself every couple of years, proving to the veterans and uninitiated alike that this so-called simple music might not be so simple after all. Who better represents such a free-form, sample-heavy state of mind than U.K. electronic music phenom Dave Taylor? More commonly known as the driving force behind the genre-defying production hype machine Switch, Taylor has redefined the rules for producers who once abided by the conventionalities of the game . . .
Wednesday, June 4, 2008

Plus: Phantom 45, JT Donaldson return

John Larner earned his reputation in the 1990s under the guise of Cyberjive. More than a decade later, the multifaceted house DJ/producer says he still can’t shake his past. “Nearly every show, someone wants to hear tracks from the rave days,” says Larner, who now sets up shop in Indianapolis. “Back in the day I played a lot of Chicago house mixed with some techno and acid. It’s pretty much the same thing now . . .
Tuesday, May 20, 2008

Plus: Three’s Finest House Wine

Chuck Love’s musical diversity may have landed him a spot with crossover label giant Om Records, but it’s his musical understanding that has kept him on the radar of the underground electronic audiences for more than three years. The Minneapolis musician didn’t start impacting the house scene until early 2005, when his breakthrough Frozen in Minneapolis EP debuted on Miguel Migs’ Salted Music impact. Backed by the commercially savvy appeal of an artist such as Migs, Love’s multi-tasking music style became a hot commodity at clubs across the country.
Tuesday, May 20, 2008

Seventh Tree (Mute)

On their last two albums, 2003's Black Cherry and 2005's Supernature, the duo of Alison Goldfrapp and Will Gregory—known together under her surname—achieved the uncommon feat of making dance music that didn't require its listeners to stop thinking. Their latest, Seventh Tree, keeps the musical intelligence, but . . .
Friday, May 16, 2008

Tonight @ the Jackalope Lounj - 10 p.m.

Los Angeles’ Troublemaker is no stranger to high-profile paying gigs, having DJed Arnold Schwarzenegger’s 60th birthday party and remixed Linkin Park for their Reanimation album. Troublemaker’s brand of electronica is every bit as suave as you’d expect from a guy who’s managed to make . . .