Home / Tag: Tegan and Sara
Thursday, May 8, 2008

Wednesday, May 7, 2008

Of all the things I admire about Tegan and Sara—and, to be sure, after the duo’s charged 2007 album The Con, there’s plenty I admire about Tegan and Sara—I’m most awed by how they condense lofty sentiments and grand arrangements into such tiny songs. Most songs on The Con clock under three minutes, and not a single track cracks three-and-a-half. The Con’s songs are nervy and short—Ramones short, even—but where The Ramones largely limited their between-song banter to “1, 2, 3, 4,” the Quinn sisters get chatty . . .
Wednesday, May 7, 2008

Tonight @ the Pabst Theater - 8 p.m.

Long associated with the late-’90s folk scene they first made their name in, the singing Canadian twin sisters Tegan and Sara have since moved on to a much different sound, one that’s driven and electric. Their hyper-charged, power-pop synths serve well their latest batch of songs, The Con, complementing the album’s . . .
Tuesday, April 29, 2008
Songwriters have long understood the poignancy that results from exposing their less-becoming side, but Tegan and Sara take self-disclosure to masochistic extremes. On their latest album of hyper-dramatic, uncomfortably autobiographical power-pop, The Con, the singing identical twins unabashedly cast themselves in the vilest light possible. “Sara and I both have this very self-deprecating, almost abusive way of looking at ourselves,” Tegan Quin explains. “We both feel like we can be very destructive and very pessimistic and very tortured and very weak, but in a weird way those are some of our best qualities.”

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