Tuesday, Sept. 9, 2008
Sept. 4, 2008
Nas has long been the most stoic and dead serious of all the major emcees. Especially since he returned to critical favor after his brief but image-killing flirtation with floss in the late '90s, he's been careful to avoid any hint of vice or banality. Of his four most recent albums, two explore his ever-consuming Jesus complex, one eulogizes the genre he loves, and the latest somberly charts the remnants of slavery. He carries the weight of the world-and the cross-on his self-beleaguered shoulders. While his one-time rival Jay-Z indulges . . .