The Milwaukee Ballet brought its season to an exuberant end with a finale that showcased the depth and breadth of the talent in this company, ranging from the classical to the modern, surefooted every step of the way.
For sheer visual fun, Antony Tudor's take on the Moulin Rouge, "Offenbach in the Underworld" literally provided a glimpse of the "under" world of the can-can dancers (along with their frilly undergarments) as the different social classes meet up in an 1870s café, rife with jealousy, flirtations and ensuing brawls. Drawing upon the music of Jacques Offenbach, Tudor . . .