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Wednesday, Sept. 3, 2008

Present Music’s season opener

"It's exciting to play new music there," Stalheim says. "You feel the history, and it's like the place is brought back to life." Bringing the feel of old Turner Hall back to life is Sofia Gubaidulina's Witty Waltzing and Igor Stravinsky's Ragtime, two compositions that turn back the clock to the days when the ballroom hosted formal dances. Caroline Mallonee's Keeping Time In a Bottle, a variation on 100 Bottles of Beer in which musicians play empty beer bottles, is a tongue-in-cheek throwback to the old German beer hall tradition. Elena Kats-Chernin's Charleston Noir and Randall Woolf's Hee Haw are digitally sequenced modern variants of antiquated dance numbers . . .
Friday, June 20, 2008

Art Preview

The Milwaukee art community showcases the 46th annual Lakefront Festival of Arts this weekend. The event, organized by the Milwaukee Art Museum’s Friends of Art, exhibits an array of exceptionally talented individuals from June 20 to June 22. This nationally acclaimed juried festival features more than 170 artists, including Wisconsin’s Arthur Bartkowiak, Mike Dretzka, Shelby Keefe, Kim Koch, Deone Jahnke, Katie Musolff, Mark Porter and Micheal Santini . . .
Tuesday, May 27, 2008

Classical Preview

Describing a piece of music that combines Russian folk music and Asian-inflected themes as “the peace-loving songs of the conquered and their conquerors joined in harmony” may be an almost alien thought to our 21st-century ears, but such was the thinking of many composers during the 19th . . .
Wednesday, May 7, 2008

Art Preview

A new art gallery creates excitement by turning previously bare walls into vehicles for fresh, contemporary work. Following are some of the galleries that have recently opened or are set to open this week: Primum Marketing Communications opens an intimate gallery in its second-floor conference room at 400 E. Wisconsin Ave., Suite 2A. Currently on display is “American Industrial Art,” featuring found objects left over from the Beloit Corp. The exhibit presents reinterpretations . . .
Wednesday, April 30, 2008

Dance Preview

In 1870, immigrants from the Kaszuby region in northwestern Poland and Germany took up residence on a peninsula between the Milwaukee and Kinnickinnic rivers, finding it a suitable substitute for the Hel Peninsula on the Baltic coast. After digging a channel to create an isolated island, they lived for many years on this small patch of land, subsisting on the fishing industry which was not only a food source, but also made up their entire economy. By 1920, however, the city had begun to commandeer Jones Island for use in the development of a more lucrative and industrialized harbor. Considered “squatters,” the Kaszubian and German immigrants were forced to move from the area, their presence and impact on the city largely forgotten.
Wednesday, April 23, 2008

Art Preview

Migrating across a country’s border requires courage. While this journey inspires hope for an improved future, it also necessitates perseverance. Expressing these themes visually and creatively, the exhibition “Caras Vemos, Corazones no Sabemos: Faces Seen, Hearts Unknown, The Human Landscape of Mexican Migration” documents the fluidity between the Mexican-American border as well as the intermingling of both cultures.
Tuesday, April 22, 2008

Theater Preview

Playwright Neil LaBute first came to the attention of national audiences with 1993’s In the Company of Men, a successful play about a pair of misogynists looking to ruin the life of an innocent girl. Less than 10 years later, he turned the tables by telling the story of a female art student who makes a living work-of-art out
Tuesday, April 15, 2008

Classical Preview

This weekend, concertgoers will get a peek into the future with a performance by conductor Edo de Waart, music director designate of the Milwaukee Symphony Orchestra. The concert’s first half consists of a work called In Praise of Music by Pennsylvania native Dominick Argento (b. 1927). Typical of many 20th-century composers, his style reflects many influences—tonality, atonality, 12-tone method—but never became “avant-garde,” unlike several of his postwar contemporaries.
02.25.2008 | | Posted at 12:00 AM
By Nicole
This story is from the New York Times and covers my "favorite" former Brewer Matt Wise and his proclivity for being a putz. The best line?“I should know better than to get into a fight with salad tongs,” said Wise, who says he is not a klutz so much as he is unlucky. “You always lose those.”Matt. You're a klutz. Deal with it. Embrace it. You have at least 3 highly publicized idiotic injuri...