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Wednesday, July 23, 2008

Theater Review

Outdoor theater has a strange kind of life when seen by a small audience in an intimate setting. It’s this sense of intimate immediacy that gives Door Shakespeare its charm. It may lack the funding found in other summer stock, but makes up for it in depth of performance. The company’s production of Cyrano de Bergerac, Edmond Rostand’s tale of love and valor, resonates beautifully even if it suffers from lack of breadth. A charming, romantic fellow whose appearance keeps him from being romantic with a woman, Cyrano is very popular with everyone he comes into contact with. The problem with the Door Shakespeare’s . . .
Monday, March 24, 2008
Actor Lee Ernst, a consummate performing artist and resident at the Milwaukee Repertory Theater, views his profession as a complex set of skills. His personal repertoire includes the added dimensions of fight choreographer and makeup artist. Ernst’s current season at The Rep began with the demanding role of Cyrano, where he also crafted the famous nose and directed the swashbuckling sword scenes. It continues with his part in Samuel Beckett’s classic Endgame. Ernst, a 15-year veteran with The Rep, speaks about the art of being an actor.

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