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Sunday, June 15, 2008

A Hollywood fairy tale

Ten years ago I described Tarsem’s feature debut as a director, The Cell, as an example of an emerging cinema whose impressions were visual more than verbal and whose visuals were achieved in part by quick montages of images. That Tarsem made his mark with the R.E.M. video “Losing My Religion,” as well as sneaker and soft drink ads, was held against him by critics who resisted the kinetic, jump cutting visual language of the MTV generation . . .