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Wednesday, March 5, 2008

Bob Mould makes peace with the past

For anyone who still associates Bob Mould with Midwestern punk, the cover of his latest solo album, District Line, may come as quite an eye-opener. The art focuses entirely on the sights of Washington, D.C., with allusions to the city’s color-coded Metro subway lines and a photograph of one of the never-ending escalators that service this underground transit system. Such aesthetic decisions, which Mould describes as “a nod to my almost six-year hometown,” immediately make clear the impact that living in the nation’s capital has had on Mould and his art. This doesn’t mean that District Line is filled with political rants aimed at those living and working in Mould’s back yard (though Mould remains civically responsible: Charmingly, he apologized for delaying this interview because he had spent the early morning voting in the D.C. presidential primary).

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