Home / Tag: Hilary Hahn
Tuesday, March 13, 2012
I have written often in the last decade of the steady improvement in the quality of the Milwaukee Symphony Orchestra. Listening anew on Saturday evening I heard an ensemble moving into a new realm of refined excellence...
Tuesday, June 3, 2008

Classical Review

I have thought about violinist Hilary Hahn more than any other musician who works the concerto circuit. She has played here often, nearly every season for many years now, returning last weekend to play with the Milwaukee Symphony Orchestra. I certainly am intrigued by her phenomenal technique and the clarity of her musicality. Beyond that, she has a mystery about her that I find both fascinating and frustrating. I never feel as if I know her when she leaves the stage. At 28 this formerly waifish prodigy now understandably wants to be seen as a young woman. One only needed to look at her concert dress, black and decidedly adult, with a plunging neckline, to get the message. Hahn played the iconic Tchaikovsky Violin Concerto, which she is performing with several orchestras through the coming fall . . .
Tuesday, May 20, 2008

Violinist Hilary Hahn at the MSO

Violinist Hilary Hahn is an artist who seems to have emerged on the classical scene like a rare plant fully grown—an entity so perfectly and unobtrusively developed that the effortless maturity of her craft belies her youthful years. Born in Lexington, Va., 28 years ago, she began playing the violin shortly before her fourth birthday, studied for years under Russian teacher Klara Berkovich and made her first major orchestral debut with the Baltimore Symphony in 1991, when she was 12. Soon after, she appeared with the Philadelphia Orchestra, then the Cleveland, followed by the Pittsburgh and the New York Philharmonic, all by the tender age of 15. Next she would debut in Germany, playing Beethoven with the Bavarian Radio Symphony under Lorin Maazel.

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