Dancing with chairs is nothing new. Before Flashdance, before Fred Astaire, possibly even before people thought to sit in them, dancers were sharing the stage with chairs. It might be the lowly chair's ability to double as an even lowlier stool, or it might be the contrast between the dynamic dancer and the static object. Sometimes it works, sometimes it doesn't. There's a danger in working with chairs: Because it's been done so much, it risks becoming a cliché. That danger, though, means that when done well, the payoff is even greater. In the hands of an inventive, solid company like Danceworks, the audience is almost certain to get that payoff.