Home / Articles / By Evan Rytlewski
On Music
Wednesday, Dec. 3, 2014
For many Milwaukeeans it's a Sunday morning tradition as sacred as church or brunch: Dewey Gill's "The Sunday Big Band Show." Each week the WMSE DJ spotlights some of the rarest jazz and swing music on the planet, spinning ancient 78 records unearthed from attics and rummage sales then meticulously cleaned to minimize pops and crackles (there are always pops and crackles). Gill is as versed in thi...
On Music
Wednesday, Dec. 3, 2014
Though local bills featuring both indie-rock bands and hip-hop acts aren't quite the novelty they were 10 or 15 years ago, they're still one of those phenomenons that makes the city's music scene beam with pride. Talk to enough musicians about why they like playing in Milwaukee, and inevitably at least a few of them will point to cross-genre bills as an example of how friendly, varied and open-min...
On Music
Monday, Dec. 1, 2014
One of Milwaukee’s most visionary songwriters moved to California last month: Todd Umhoefer,  the lone constant behind the experimental folk project Old Earth. Considering the role that collaboration has played in Old Earth's recording process, the new location (along with the new cast of musicians he works with out there) is likely to have a big impact on his music going forward. Today U...
Wednesday, Nov. 26, 2014

‘Freedom High’ considers the sacrifices of civil rights workers

Hollywood clings to proven conventions, lazy as they can be, and there are few it has milked harder in recent years than the White Savior: the noble Caucasian who heroically stands up for a
On Music
Monday, Nov. 24, 2014
There’s an expression popular in certain hip-hop circles that speaks volumes: “spitter shit.” It’s a term that can be applied to any lyrics-first hip-hop, especially ’90s inspired hip-hop, and for many rap purists it describes a perfect ideal. For this small but vocal minority of rap fans, nothing matters as much as the rhymes—not the production, not the songwriting, not the choruses (...