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Album Reviews
Thursday, Aug. 28, 2014
Popular images of Afghanistan have been dominated in recent decades by the wars of Islamist militants against the Soviets, the U.S. and each other, but the ancient land was once a crossroads of culture and commerce. Living now in the U.S., Quraishi comes from a family of traditional musicians
Thursday, Aug. 21, 2014

From independence through the Civil War

In his account of the American Revolution, historian Thomas Slaughter begins with the assumption that “independence” and “separation” were two different things. The American colonists considered themselves largely “independent” of Great Britain since Jamestown, yet the idea of
Monday, Aug. 18, 2014

Brendan Gleeson as the good priest in an enigmatic Irish drama

Seated on his side of the claustrophobic confessional
Home Movies/Out on Digital
Monday, Aug. 18, 2014
Shades of Vertigo haunt director Arie Posin’s The Face of Love—along with memories kept by Nikki (Annette Bening) of her husband, Garrett (Ed Harris). Imagine her surprise when, five years after his death, she spots his exact double. Yearning turns to fantasy and fantasy into emotionally
Thursday, Aug. 14, 2014

Chamber Theatre’s magnificent season opener

Decades after her death, Maria Callas is still among the world’s best known opera stars. Every inch the diva, she was a temperamental force of nature and the power of her voice and her presence could never be ignored
Film clips
Thursday, Aug. 14, 2014
As revealed in the often-witty screenplay by writer John Michael McDonagh, Father James (Brendan Gleeson) is no ordinary Roman Catholic priest. A widower with a grown daughter, James is an empathetic, tolerant, enigmatic man threatened by a victim of priestly pedophilia—a crime
Thursday, Aug. 14, 2014

Helen Mirren’s 100-foot journey

Older audiences received short shrift for decades from the movie industry. Lately, aging Baby Boomers have flexed their wallets and producers in Hollywood (and its outskirts) are responding. Alongside significant films such as Alexander Payne’s About Schmidt and Nebraska comes a genre
Album Reviews
Tuesday, Aug. 12, 2014
 If Miles Davis had been Jewish, his breakthrough fusion albums recorded as the ’60s tumbled into the ’70s might have sounded like Zebrina. On Hamidbar Medaber, released on John Zorn’s Tzadik label, Zebrina fuses propulsive rhythms, improvisation, knockout electric guitars and klezmer