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Concert Reviews
Wednesday, Nov. 12, 2008

Nov. 4, 2008

The young crowd at Tuesday's Turner Hall Ballroom Girl Talk appearance was beyond energetic, undoubtedly siphoning energy from the momentous election. As the venue projected the poll returns opposite the stage, scalped tickets sold for $50-$60 outsid...
Summerfest Concert Reviews
Friday, July 4, 2008

Wednesday, July 2, 2008

Stateside, raves seem harder and harder to come by these days. Still, the rain-slicked aluminum bleachers of Summerfest seemed an oddly perilous dance venue for the return performance of the low-profile big beat pioneers, The Crystal Method. Taking the helm from DJ Dieselboy in mid-beat, Scott Kirkland and Ken Jordan arrived with a blasé casualness that seemed to pervade the whole evening, underscoring the intensely omnipresent volume. Kirkland, as the Pesci to Jordan’s De Niro, played the group’s flamboyantly mischievous half, tagging out of duty frequently to stalk the stage and giving himself devil horns while the more stoic Jordan manned the decks.
Summerfest Concert Reviews
Wednesday, July 2, 2008

Monday, June 30, 2008

At first, Matthew “Matisyahu” Miller appears an unlikely a reggae savior, but by this point, the self-proclaimed former Deadhead turned Chassid has probably gotten used to the burden of proving that appearances can be deceiving. Still, when Miller first set foot before the noticeably packed Summerfest crowd, he seemed to stutter slightly, as if for a moment even he had trouble taking his success seriously. Thankfully, with the onset of “Jerusalem,” came an energetic . . .
Concert Reviews
Wednesday, June 25, 2008

Saturday, June 21, 2008

They say Milwaukee is a cover town, and this year’s Summer Soulstice Music Festival Saturday on North Avenue did little to disprove that notion. Emanating from usual suspects like The Love Monkeys to less likely sources like Northern Room, covers abounded. Even headliners Local H performed a punked-out version of Britney Spears’ “Toxic” to both fan delight and confusion. And when songs weren’t being covered they were pantomimed—imitative air-guitar demonstrations filled the time between sets.

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