Baroque Masterpiece
Classical Review
The
Mass in B minor by Johann Sebastian Bach is one of the marvels of musical
accomplishments. Its composer seemed to believe that God is, among other
attributes, the ultimate intellect. This music achieves its exaltation through
rigorous depth, exploring the expansion of every Baroque musical form and
compositional device.
The
Mass in B Minor, performed by Milwaukee Symphony Orchestra last weekend, is a
mountain Andreas Delfs obviously wanted to climb with the orchestra and chorus.
It was an inspired journey. There are certain trade-offs that are givens when a
traditional symphony orchestra and chorus present a major Baroque work such as
this. Transparency, due to the size of the chorus, is sacrificed for majesty
and grandeur, affects that a smaller, more agile ensemble could not achieve.
The
though there are vocal soloists and orchestral solos, the chorus is the center
of attention. In my 24 years in
In
the 19th century, 70 years after the death of Bach, when his music was unknown,
Mendelssohn was the catalyst for a revival of interest in the Baroque master.
Earlier in the week Frankly Music presented a concert of Mendelssohn’s two
greatest chamber works: the Piano Trio No. 1 and the Octet for Strings. As is the
custom, Frank Almond spoke about the composer, quite eloquently. Pianist
Stefanie Jacob was the standout in the Trio, giving her clean, athletic touch
to this very challenging part. Almond and cellist Joseph Johnson match well,
their instruments and playing complementing one another.



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