Fall Classical Music Preview
The Fine Arts
Quartet opens its season with a classical masterpiece and two 20th-century
works. Wolfgang Mozart’s String Quartet No. 19 in C Major got its nickname (Dissonant)
from its slow, tense introduction. But soon enough this disquieting adagio
gives way to a bright allegro; a warm andante cantabile follows, then a
Haydnesque minuet and typically joyful finale. St. Petersburg-born Boris
Tishchenko has been a professor at his hometown’s music conservatory since
1986. His String Quartet No. 5 thus far remains his final statement in the
form. The String Quartet in D Minor is Jean Sibelius’ sole venture into the
genre and, true to his nature, is largely introspective and intimate. This
concert takes place Sept. 12 at UWM’s Helen Bader Concert Hall.
The first Present
Music concert is something of a hello/goodbye event. The “hello” is a
welcome to Gabriel Prokofiev (grandson of the great Russian composer Sergei
Prokofiev), who, along with the Present Music ensemble, performs his Concerto for Turntables and Orchestra.
The “goodbye” is to keyboardist Phillip Bush, who is retiring after 15 seasons
with Present Music. Bush performs the solo part in the Piano Concerto of Gyrgy Ligeti, a composer who stands with
Stockhausen, Berio and Boulez among the most influential (and experimental)
late-20th-century composers. This concert takes place Sept. 18 in the Turner
Hall Ballroom.
Just two days before
the Feast of St. Francis, Early Music Now presents, appropriately
enough, Il Poverello—Exploring the Life and Deeds of St. Francis of Assisi, which it
promises will comprise “a joyful program about the ‘hippie’ saint…of animals
and ecology.” The 13-member Rose Ensemble performs motets, hymns and dances for
voice and period instruments. This concert takes place Oct. 2 in St. Joseph
Chapel.
Given the success of
a similarly themed concert last season, the Milwaukee Symphony Orchestra
presents a second all-Rachmaninoff program under maestro Edo de Waart and
featuring pianist Joyce Yang. Rachmaninoff’s symphonic poem The Isle of the
Dead was inspired by a painting that depicts a gloomy island and huge rock,
within which are chambers for the dead. The Rhapsody on a Theme of Paganini,
a tuneful piece for piano and orchestra, includes the famous “18th Variation,”
one of Rachmaninoff’s most beloved creations. Vocalise, though originally for voice and piano, is most well known
in its purely orchestral guise. Finally, the three Symphonic Dances
represent Rachmaninoff’s last completed work. This concert takes place Oct.
8-10 in Uihlein Hall.
2010 is the
bicentennial of two Romantic giants, Frederic Chopin and Robert
Schumann—birthdays that aren’t forgotten by Frankly Music. The program
consists of various piano pieces by Chopin, one of the most significant and
brilliant composers for the piano, performed by William Wolfram. Schumann is
commemorated by his Mrchenbilder (“Fairy-Tale Pictures”) for Viola and
Piano and Piano Quartet in E-Flat Major. This concert takes place Nov. 29-30 in
the Wisconsin Conservatory of Music.
The Florentine Opera has always done good
work in presenting the standard operatic repertoire, especially, as its name
suggests, by the great Italian composers. But to open its 77th season, the
Florentine ventures into new land with its first world premiere, Rio de Sangre, a Latin-flavored work in
Spanish by Emmy-winning composer Don Davis and librettist Kate Gale. The tale
of 21st-century murder, revenge and madness will be directed by Paula Suozzi.
The Milwaukee Symphony Orchestra’s Joseph Rescigno will conduct the orchestra,
which will be accompanied by a chorus and a merengue band, Oct. 22-24 at the Marcus Center
for the Performing Arts.
Finally, Milwaukee Chamber Orchestra opens its season Sept. 19 at Calvary Presbyterian Church (935 W. Wisconsin Ave.) with Giovanni Pergolesi’s Stabat Mater, Stravinsky’s Pulcinella Suite and John Tavener’s contemporary work Cantus Mysticus. Featured are soprano Amy Conn and mezzo-soprano Nicole Warner, winners of the 2010 Bel Canto Chorus Regional Artists Competition.



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